Lin Lan's calligraphy and painting education tells you,What exactly does the painting and calligraphy work of the 100 million yuan level look like?

Nowadays, in the calligraphy and painting market in the world, it is no wonder that calligraphy and paintings are sold at sky-high prices. Hundreds of millions of calligraphy and paintings are also emerging in auctions. Except for the hype, these sky-high prices are also expensive. Among them, there are countless master paintings.

So today, Lin Lan's calligraphy and painting education teacher will show you the first calligraphy and calligraphy work worth 100 million yuan.

The Northern Song Dynasty Huang Tingjian's "Putting Inscriptions" is 8.24 meters long and contains 82 lines of 407 words. It was made around 1095 and was collected by Wang Houzhi, Jia Sidao, Xiang Yuanbian, etc., and has been circulated among Chinese people for a long time.  

Guangdong flows to Japan and is collected by neighboring museums in Japan. It is regarded as the treasure of the town hall. Until a few years ago, it was purchased for Taiwanese collectors. There was Fu, the director of the Taipei Palace Museum who had been infiltrated by Huang Tingjian’s calligraphy for decades.  



Mr. Shen's 20,000-word article.  This article frankly confesses the author's thought process and mental process from doubting to affirming the "Principle", from which you can feel the agitation of overturning the old case, and can also learn the rigor of seeing and knowing the work, which has extremely high academic value.

Huang Tingjian (1045~1105), whose name was Lu Zhi, was from Hongdu Fenning (now Xiushui, Jiangxi).  Famous calligrapher and poet of the Northern Song Dynasty.  


His literature is as famous as Su Dongpo, and he is called "Su Huang" in the world.  The Jiangxi Poetry School he created has a huge and far-reaching influence on future generations.  Huang Tingjian’s calligraphy is also ranked among the four great masters of the Song Dynasty. 

His calligraphy skills are profound. His small writing script and regular script style are unique and exquisite, while Canga’s original large-character regular script and the wild cursive script that blend in with the ancient and modern are popular in the world of calligraphy.  , Dominate the world.   The "Putting Inscriptions" volume is Huang Tingjian's first important masterpiece of large-character regular script in his mature period of calligraphy in his later years.  


This work was written by his protégé Uncle Yang (Hao) Ming during his relegation to Sichuan, and it is one of the few masterpieces in his handed down works.  There is another 18.22-meter cursive script "Lian Po Lin Xiangru Biographies" in the valley. The 10-meter-long Daxing Kai "Ming Zan Poetry Scroll Postscript" is currently in the National Palace Museum in Taipei. The 8.24-meter scroll of "Putting Pillars" ranks third, which is longer than the famous one.  The volume of "Jing Fubo Shrine Poems" (8.20 meters) and "Zhu Shangzuo Tie" (7.29 meters) are still long.  

Since the volume of "The Mainstay" has been kept in our country for a long time and has never entered the palace, there has been no official record.  Moreover, this work has its own special features in terms of text content and work style, so there are many problems, such as the creation time and background, calligraphy style, artistic value, and circulation.  the study.

Because Huang Tingjian admires Wei Zheng as a person, he often writes "The Mainstay Inscription" for the younger generation "who can sue Zheng Gong for the cause".

Huang Tingjian is pleased to admire Wei Zheng as a person, and repeatedly writes Wei Zheng's "The Pillar" has its profound ideological background.  As we all know, Wei Zheng is a generation of famous figures, famous for not fearing power and daring to speak directly to Emperor Taizong of the Tang Dynasty, and Emperor Taizong of Tang also adopts loyal words for his enlightenment, so as to achieve the prosperity of Zhenguan.  

Huang Tingjian lived in the Northern Song Dynasty, and the internal struggle was fierce, and the contradictions between the old and the new parties were intertwined.  The reason why Huang Tingjian was degraded for his crimes was actually implicated in political struggles.  

 During the Yuanyou period, he served as a national history editor and participated in the compilation of "The Record of Shenzong". He was accused of slandering the court because he recorded historical events such as "the use of iron dragon claws to govern the river and the same children's play" at that time.  

When Xingshi was held accountable, Huang Tingjian was right about the facts he remembered, showing an upright, honest and upright nature.  But in the end he was relegated because of the incident, so there must be a bone in his heart.  Therefore, the writing of "Principle" is actually a kind of spiritual sustenance and venting, and a deep expression of life ambition.

Huang Tingjian is as famous as "Su Mi" in calligraphy and ranks among the "Four Schools of the Song Dynasty".  About the marvelous calligraphy, people often use the following generalizations: spear and euphorbia, bizarre rise in vertical and horizontal directions, strange and powerful writing, and abundant strength and strength.  Indeed, his calligraphy is unusually open and flying, but the opening is comfortable and flying without domineering! 

This blog post is accompanied by a video appreciation, please click to watch it!

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